After 1900, Stroh Violin ushered in its golden age in the music industry. With the demand for recording technology, this instrument, which amplifies the sound with metal speakers, has become a new favorite in recording studios, and many famous violinists have also used Stroh Violin in their recordings. Among them, the most representative is the Russian American violinist Mischa Elman, who used Stroh Violin in his recordings in the early 1900s. Elman has used Stradivarius and Guarneri violins, but in the recording studio, he chose this unique 'steel violin'. The metallic tone of Stroh Violin, although different from the warm tone of wooden violins, perfectly adapted to the recording technology requirements at the time, allowing for precise capture of high-frequency details.

In addition to Mischa Elman, many famous violinists have also used Stroh Violin in their recordings. The Stroh Violin tone in these recordings has a sharp metallic feel, which stands out particularly compared to the soft tone of traditional wooden violins. This "sharp" tone, similar to the erhu, was precisely the characteristic required for recording technology at that time, making Stroh Violin stand out in the recording studio. In addition, Stroh Violin is not limited to the field of classical music, but also holds an undeniable position in early jazz and pop music recordings. In the era when recording technology was not yet widespread, Stroh Violin was able to clearly express notes in noisy recording environments with its loud volume and highly directional tone, which allowed it to find its place in various music styles.