The production process of traditional Italian violins has been imitated around the world, and after hundreds of years of inheritance, the craftsmanship has become increasingly refined, but the sound cannot surpass that of standard violins. Everyone is searching for the reason and trying to unravel the mystery of the beautiful sound of the S and Gua famous qin, but there is still no recognized method of making the qin that can reach or surpass the famous qin. There is a saying that masters Si and Gua learned a secret from their masters, which is to use the sound produced by tapping wood to match and make soundboards (whenever it's quiet at night, you can hear the sound of wood tapping coming from the Cremona piano making house). Therefore, any experienced luthier must strike wood to listen and make a violin, and some even use various instruments to test the wood and design and make a violin based on it. People have given this method of making the qin a name, called "frequency modulation qin making". When you carefully study the later methods of "tuning the piano", you find that those that have formed theories and been published are difficult to verify in theory and practice; Claiming to have made significant breakthroughs in practice, even surpassing Si and Gua, is shrouded in mystery and bewildering. Of course, the results of hard work and research may not be understandable to others. In order to make our beloved violin produce more beautiful sounds, and for those qin makers who have been struggling to find a solution, we attempt to unveil the mysterious veil of FM qin making.
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